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From a VR gay sauna to the gothic pile that inspired Cluedo – Fierce festival storms back

Venues across BirminghamAs Britain’s longest-running live art festival returns, get ready for late-night artist dinners, a show in a swimming pool and Faye Driscoll’s incredible rotating disintegrationThe phrase “two things can be true” is a frequent refrain in popular psychology and it’s also a frequent response, I find, to witnessing the farther reaches of live

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Lourdes gets a Vegas glow-up at Dublin theatre festival, where canvases are slashed

A musical about a drama group’s pilgrimage and reflections on activist art join an intriguing show about lost languagesIn a Dublin theatre festival programme tackling heavy themes of racism, conflict and prejudice, Lourdes! The Musical (★★★★☆) promises something effervescent. Xnthony Ltd, the creators of Oliver Cromwell Is Really Very Sorry, have turned their lightly quizzical

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Eliza review – an ambitious, unsettling play about the birth of AI

Melbourne Theatre CompanyWhile the cast is excellent, a play that sends us back to artificial intelligence’s genesis moment should feel more human than thisIt can be fiendishly difficult to write plays about contemporary obsessions, not least because they can shift and mutate in the time it takes to mount a production. A clever solution is

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‘This gap opens up of doubt and scepticism about everything’: Jess and Morgs confront the politics of deepfakes

In the choreographers’ new work, virtuosic movement and some green-screen magic unfurl the theatricality of high-stakes television interviewsIt appears the interviewer has got him on the ropes. “For the record, I did not take part in a pagan ceremony with minor members of the royal family in which we daubed ourselves in paint,” states the

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Disruption review – anti-AI thriller boasts knockout cast but tech commentary needs an update

Pershing Square Signature Center, New YorkJohn David Washington leads an exceptionally talented cast in a sleek off-Broadway thriller that feels a little datedMaking its US debut three years after its London premiere, Andrew Stein’s Disruption faces the typical battle of the topical play: even with the most expedient fast-track to production, works tackling current events

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Robota review – machines on the march in next-gen version of sci-fi classic

Schwarzman Centre, OxfordHeadlong’s take on Karel Čapek’s 1920 tale of romance and robots is rife with timely debates about tech’s threat but at times the philosophical discussions drag onIf our world is currently thinking through the brave new future of generative AI and super intelligence, Karel Čapek’s 1920 play RUR: Rossum’s Universal Robots proves the

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AI won’t decimate the arts. We must interrogate it, but we can collaborate with it

Opera makers have always engaged with the latest inventions while also preserving historic crafts. I believe it’s possible to look both forwards and backwards in this fast-evolving landscapeThe disquiet and distrust surrounding artificial intelligence among artists and creatives remain real and consequential, and the language used by leading arts commentators is often apocalyptic: AI will

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Molière Ex Machina: AI used to create ‘new work’ by beloved French playwright

Comedy debuts at Versailles featuring dialogue, music, costumes and scenery created with help of AI tool Le ChatEurope live – latest updatesMolière is to the French, what Shakespeare is to the English; the last word in historical literature, drama, wit and satire.Now, more than 350 years after his death, the 17th century dramatist has been

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The Rite of Spring / Mirror review – glitchy Stravinsky and digital doppelgangers from Alexander Whitley

Sadler’s Wells East, LondonVisual spectacle overwhelms the human drama in the choreographer’s tech-heavy double billTechnology can sometimes seem to take on its own life and sideline the people it is nominally assisting. That tension, even conflict, is the subject of Mirror, a new duet by Alexander Whitley, who has good form with choreographic deployments of

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UK actors vote to refuse to be digitally scanned in pushback against AI

Equity says vote signals strong opposition to AI use and readiness to disrupt productions unless protections are securedActors have voted to refuse digital scanning to prevent their likeness being used by artificial intelligence in a pushback against AI in the arts.Members of the performing arts union Equity were asked if they would refuse to be

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